In the summer of 2012, I read a book about the life and music of pianist Bud Powell and developed a great sense of respect for him, his type of music and the era in which bebop was rising. Reading that, I figured I needed to get deeper into that style as well if I ever wanted to be as good as those guys. ther Charlie Parker Most of the modern jazz pianists I like, say that their roots are in bebop and that bebop is the foundation on which modern jazz was built. And then, when you finally get up theree on the bandstand, forget all that and just wail. Then, T hen, you practice, practice, practice. Introduction You've got to learn l earn your instrument. Transcription of Barry Harris' "A Time For Love" MA-Paper Royal Conservatory The Hague February, 2014 Vera Marijt Jazz Piano Research coach: Jarmo Hoogendijkįragment of Barry Harris' workshop in 2003 ![]() ![]() Barry Harris: Exploring the Diminished How can the transcriptions I made of Barry Harris' workshops and recordings recordings be incorporated in my playing, in order order to develop myself in a bebop style?
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